infrequent use

James Ilgenfritz (born 1978) is an American composer, bassist and multi-instrumentalist. He is also a jazz sideman.
As a composer, he is known for his surreal experimental multimedia chamber operas, including The Ticket That Exploded (2011, in residency at ISSUE Project Room), and I Looked At The Eclipse (2019, in residency at Roulette Intermedium), and frenetic chamber works including In The Summer Every Truth Is Like A Saturday (2019).
As a jazz and experimental music sideman, he has collaborated with Lukas Ligeti and Eyal Maoz (in the trio Hypercolor), Elliott Sharp, Pauline Oliveros, Roscoe Mitchell, Anthony Braxton, John Zorn, Miya Masaoka, JG Thirlwell, Annie Gosfield, SEM Ensemble, Liturgy, and Ghost Ensemble.
Ilgenfritz studied at UCSD with Mark Dresser, Charles Curtis, and Miller Puckette.

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  1. SpikySimonW

    Tips for occasional/irregular usage

    Bought a Cyberster GT on a bit of a whim. Meaning it’s now sitting on the driveway and will have irregular and, at least for the immediate future, an infrequent use pattern. It could become my near-daily driver, especially in the summer, but for now I simply have more suitable vehicles...
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